
"Boundless", 36" x 48", oil on canvas, SOLD










It looks fine with this frame!, and it's available at the Nicholson Gallery in Miami Circle.
This is one of those big and burley Irish Draft horses. I like those working farm horses. I used some photo reference on this one. It's more of a study really. It measures 24" x 24" square and would look awesome in a frame. I have a wide silver frame I'm going to fit it into and I'll post the results. It will look so fine in the right frame.
Okay, Here is the final and finished product in its slightly distressed wood frame, with a scoop profile, as seen in the detail shot. This piece looks so much better in actual reality, they look great on-line but...you have to really SEE them to appreciate them. This one is still in the studio, I have not put in on gallery exhibit yet. I'll let you know, in the meantime, if interested in this piece, email me.
This is a detail shot of a new original painting titled " Dianah passed through here". Framed in a simple and elegant contemporary frame with a matte nickle silver color, it really brings out the soft greens and blues. It's available
Twighlight Dance , SOLD
Hi again, just wanted to let you know about The Nicholson Gallery down at Miami Circle right next to The Eclipse De Luna. I have some nice framed and unframed collector pieces there, colorful pastel drawings that are fresh and spontaneous. I think that the basis for all quality artwork is drawing. Ask any artist. I have gotten to this point in my career where I seldom plan an artwork, I just visualize and dive in! This allows creative "accidents" to occur, and the result is a more personal image/mark that is true and less carefully constructed. I think this is more real and authentic. It is connecting to that visual vocabulary in one's dream subconcious.

This is another painting featuring a romanticized female figure with equine, I have been working on this off and on for quite a while, but I've made some real progress of late (I think that I just got a little mad at it; not her, just the painting, and fearlessly attacked the canvass with a large brush this time) by painting over some areas with warm, reddish greens and it softened it up a bit. I'm always learning by trial and error, and I have found that layers of paint (with the layer beneath showing through) creates depth. I still have a ways to go on this one, I think I am going to apply some contrasting color to her dress.
Hey, This is a painting I just finished, kind of a series. I'm painting consistantly at one size: 24" x 24" square on birch wood panels. I really like the surface because it's hard like paper (no give like canvas) and it's smooth unless you want to embellish with your own texture. I just put a few coats of gesso on and sand in between layers, but I have heard of artists mixing in pummice or applying paste. That smooth, hard surface also allows for drawing media like charcoal or pastel in conjunction with the paint. Anyway, I'm excited with the results. Keeping with the equine theme, I'm exploring with this square format for a while. I have also picked out some nice frame mouldings for these. Of course, these are for sale, contact me if your interested: studioandrew@yahoo.com
Red Bricks(Townhouse), 8" x 10", pastel on paper, SOLD.